Posts Tagged ‘picasso’
From photo to oil painting
We paint each photograph with oilpaint on linen (handpainted)
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Duration : 0:3:36
Inside IRAN’s underground billion-dollar art gallery
It’s one of the finest collections of modern art anywhere in the world, but you won’t find it in New York or Paris.
Dozens of works by the likes of Pablo Picasso, Andy Warhol and Jackson Pollock — together valued at roughly $3 billion — are locked in a basement in Tehran.
Only a handful of westerners have had an up-close look at the underground archives in Tehran’s Museum of Contemporary Art. ABC News was granted exclusive access inside the vault that holds a priceless collection Iranian authorities choose to keep locked away.
What was revealed was astonishing: a series of paintings by Picasso; a wall’s worth of pop art by Roy Lichtenstein; Warhol portraits of Jackie Onassis, Mick Jagger and Marilyn Monroe; a Diego Rivera self portrait; and a painting many consider to be the best Jackson Pollock outside of North America.
The collection was supposed to be a gift to the Iranian people. It was assembled by the Shah of Iran and his wife using public funds during the oil boom of the 1970s. Tehran’s Museum of Contemporary Art was inaugurated in 1977, designed to be one of the world’s landmark modern art institutions, with an international collection worthy of that ambition.
But just months later came the Islamic Revolution. The Shah was deposed, Ayatollah Khomeinei was became the country’s leader, and in the Revolutionary, anti-American climate the museum’s western art was banished to the basement.
Why aren’t the pieces shown to the public? The reasons are a mix of ideology and practicality.
The collection is huge and the museum small. Museum director Dr. Habibollah Sadeghi, himself a painter appointed by conservative President Mahmoud Ahmedinejad, says there is no space to properly put the works on display.
Others question whether the museum could properly protect the valuable pieces from theft or damage were they displayed openly.
Conservative Muslim ideology — a powerful governing force in Iran — has played a similarly forceful role in keeping the pieces underground. Aside from the anti-Western overtones of Revolutionary Iran many of the pieces are considered too racy for a conservative Muslim society. When some of the collection briefly went on display in 2005 Andre Derain’s “Golden Age,” a 1905 painting of female nudes, was notably absent. Also hidden was the centerpiece of a Frances Bacon painting triptych. The center panel could be taken as homoerotic, showing two naked men asleep in bed.
There are plans to display the collection permanently once museum space is expanded, Sadeghi said. If those plans materialize — full-time public access to view the pieces — it would fulfill the dreams of art lovers worldwide. “In two or three years we can improve the museum and have a permanent exhibition,” said Sadeghi, adding that the museum is hoping to buy more Western works in the coming years to fill out the collection.
Duration : 0:2:0
Paint Like Picasso: Oil Paintings by Paul Cumes
http://www.paulcumes.com
April 2007 Painting Video edition #1. Oil painting on canvas. I love this period of Picasso’s work and they are really fun to copy. Picasso himself loved to copy. For example, he copied a Cezanne still life for Gertrude Stein. These Picasso copies are not meant to be exact and take about an hour each to do. While you’re here, check out some of my other art videos and for even more excitement visit my website link above. And if you have an appetite for more painting madness, then hit the yellow button and subscribe!
Music by Röyksopp.
Duration : 0:9:56
Oil Painting Palette Set-Up by Paul Cumes
http://www.paulcumes.com
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A demonstration of how I go about setting up my palette for oil painting..
I’ve recieved some great questions so Im going to answer them here (confounded word count!):
As far as what goes on in the palette, I mix basic groups, more so when Im landscape painting, but I dont spend too much time planning (on purpose). Dont use as many greys as Picasso did but maybe I will some day. I use a lot of white, basing my mixes on it like Gauguin did. I love to experiment and avoid formulas. My palette always changes and often spins out of control but thats ok as I only take an hour or two to paint. Sometimes I work with 2 palettes. I rarely use a single hue to harmonize from the palette but rather let the wet (or dry) underpainting unify the painting based on the mood or temp I want to express. Also the messy brushes help add unpredicted colors and if it gets muddy I just lift it with more pigment. Need lots of rags to do this and I limit my use of turpenoid, going with pure linseed oil and sometimes copal medium and Damar varnish. I should do a demo on my way of using mediums and mixing..
Ive done a few great paintings on a limited palette (see Presidio Doorway on my site) but the painting ends up looking a bit too traditional for me so I usually dont do that. Lately I think, the more color the better and the more one can successfully get away with using pure color balanced with a touch of tonalism (one to three ration of complimentary colors) the better.
Duration : 0:10:10
In Our Time: The Museum of Modern Art
What do the superstars of modern art have in common with the Vincent Black Shadow motorcyle? They share the stage at New York’s Museum of Modern Art, or MoMA. Produced for Public Television by Great Museums TV.
Duration : 0:56:37
www.nathanartworks.com These are oil paintings set to music.